Cooking up an eccentric concoction of glitchy arcade game soundtracks, sparkly
1980s synths, girl group hooks and J-Pop innocence, London trio Kero Kero Bonito
surfaced in 2014 drenched in lo-fi, kaleidoscopic kitsch, quickly earning a
reputation as young, screwball, pop mavericks. Childhood friends Gus Lobban and
Jamie Bulled grew up making dance tracks, playing in bands and working in
nightclubs together, but began taking an interest in Japanese pop artists such
as Kyary Pamyu Pamyu, Hiroshi Sato and Tatsuro Yamashita. It led them to
advertise for a singer on the site MixB (a m...