Against a backdrop of tango, blues, sometimes rock, or simple piano melodies,
Jean Guidoni, a man of the stage, has slowly imposed a highly personal universe,
made up of his own wounds and imbued with a provocation that has seen him
shunned by the general public. His sometimes complex work, which has received
numerous awards from the profession and focuses on themes of exile, show
business, the night and homosexuality, and which is finally revered by new
generations, deserves greater media attention now that it seems to be more
serenely supported by the artist himself. The albums...