Inspired by the great jazz drummers of the 1960s, Bill Bruford's brilliant stick
work played a huge part in shaping the complex prog rock of 1970s bands Yes and
King Crimson. He went on to work with Roy Harper and Genesis, before creating
his own band Bruford (essentially a solo project with contributions from
musicians such as Dave Stewart, Annette Peacock and Allan Holdsworth) and
releasing debut album Feels Good To Me (1977). Always keen to push musical
boundaries and experiment with time patterns and chord progressions, he played
with jazz and fusion sounds on the instrumenta...